A close up of Anoof's study from the work of Mark Powell. In addition to using pen Anoof also combined pen with acrylic washes and coloured pencil enabling him to add either midtones or highlights depending on the ground. Anoof received A* in IGCSE's.
Anoof was inspired by the fractured light when visiting a cathederal in Antwerp as it reminded him of the geometric shapes seen in analytical cubism so starting with a realistic study from the statue of the virgin and child he did a close up study of the child using oil pastels with strong geometric shapes accentuated with the bright colours that exaggerated the shines on the metal statue.
Anoof page 3 comp Here Anoof took inspiration from two very different artists one who drew/painted on top of paint splashed grounds and another who used vibrant colours and workeed on rich red backgrounds. Igcses 92 % A *.
Anoof wanted to experiment with different grounds and loved the work of Mark Powell especially his portraiture. He was fascinated by all the folds of skin he saw in the study of the old man. However he moved back to some study's of his cousin and worked with pen, pencil and coloured pencil. he also introduced some paint applied in very thin washes that still allowed the underlying grounds to be visible.
In this page Anoof further examines cubism using oil pastel and acrylic. He started with a study from the work of Albert Gleizes and then looking at Picasso's method of breaking objects into smaller simpler shapes and lines he tried this with a picture from one of the statues he saw in Antwerp. He also tried another study of the child statue.
Anoof Page 2 comp here Anoof looked at both colour and texture of various shells and used coloured pencil and oil pastel on ablue ground. He also used sgraffito with the oil pastels to add more texture and indentationsto the scallop shell
This is Anoof's final piece. he has merged some of Mark powells techniques by adding paper segments to the base that had stamps and stamp marks. He used colour pencil and acrylic washes to capture the childs face, jam jar and teddy bear. The background and the childs t shirt and arm were completed using analytical cubism.
Inspired by the work of Jean Metzinger, Anoof did a study from his portrait of his wife. Then drawing from his friend in Art class he drew a realistic portrait in pencil and used this study to create a cubist study. He combined the figure of his friend with the background from Metzingers work.
Anoof Page 1 comp 1. Anoof selected A collection of shells in a glass dish and observed directly from shells that reminded him of his home in the Maldives. Here he used pencil, pencil on a painted ground and coloured pencil and examined the surface textures of shells, glass, and shells immersed in water inside a jar
The final piece has an interesting patterned background of spiralling satin that contrat with the other textures of the glass dish and the shells. The spirals of the satin also echo the spirals seen in the shells.
In the final support sheet Anoof explored a variety of possible compositions using small sketches. He considered a few grounds such as envelopes with stamps, combining images to make compositions and also explored a variety of colour schemes.
Anoof moved away from cubism and took a look at the work of Janet Fish. He tried coloured pencils for these studies. Inspired by the shines on the bunch of bananas inside a plastic bag he recognised elements of analytical cubism in the geometric shapes he saw on the folds of the plastic bag. Setting up a similar still life arrangement, Anoof did a study from a bag of grapes and exagerated the many geometric patterns he could see.
Anoof page 4 comp 1. Anoof experimented with a number of viewpoints and became interested in looking at the shells in the dish from above. He considered various grounds and was focusing on vibrant reds as a background and used satin that added interesting patterns and folds to his studies.