James Abbott McNeill Whistler  Red and Black  Watercolour  c1883-c1884  13 x 24.1 cm  (5.12" x 9.49")  Fogg Art Museum, Harvard University (Cambridge, Massachussetts, United States)

fleurdulys: “ Harmony in Flesh Colour and Red - James Abbott McNeill Whistler 1869 ”

James McNeill Whistler, Nocturne: Blue and Gold—Old Battersea Bridge, ca. 1872—1875. Oil on canvas, H x W: 68.3 x 51.2 cm (26 7/8 x 20 3/16 in). ©Tate, London 2013, Presented by The Art Fund, 1905

dawnawakened: “ James Abbott Mcneill Whistler, Old Battersea Bridge (c. Old Battersea is one of Jame’s most famed pieces, this painting is of the old wooden Battersea Bridge across the River.

James McNeill Whistler, "Arrangement in Grey and Black No. 1" 1871. Oil on Canvas. ("Whistler's Mother," Anna.)

Top 10 Famous Paintings of All Time

Arrangement in Grey and Black famous under its colloquial name Whistler's Mother, James Abbott McNeill Whistler, 1871

James Abbott McNeill Whistler - Nocturne in Black and Gold: The Falling Rocket, 1875 - oil on wood

James Abbott McNeill Whistler - Nocturne in Black and Gold: The Falling Rocket, 1875 - oil on wood. At the Detroit Institute of Arts

"The Blue Girl by James Abbott McNeill Whistler. Pastel. Freer Gallery of Art

The Blue Girl 1874 pastel James McNeill Whistler

Whistler-Nocturne, Blue and Silver-Chelsea; Romanticism and the Victorian Era | England |

James Abbott McNeill Whistler ‘Nocturne: Blue and Silver - Chelsea’, 1871 TATE

James Abbott McNeill Whistler

The Sands, Harmony in Blue and Pearl: The Sands, Dieppe James Abbott McNeill Whistler - circa 1885

We're studying Whistler now. He was very eccentric, but an excellent artist. -- James Whistler, Symphony in White, No. 1: The White Girl 1862; Oil on canvas, 214.6 x 108 cm; National Gallery of Art, Washington

Symphony in White, No. The White Girl (James Abbott McNeill Whistler 1862

Nocturne in Grey and Gold: Chelsea Snow - James McNeill Whistler

Nocturne: Grey and Gold - Chelsea Snow James Abbott McNeill Whistler - 1876

James Abbott McNeill Whistler, Nocturne (detail), 1875–80

James Abbott McNeill Whistler, Nocturne (detail), (The boundaries between abstract and representational are not always clear. Whistler's obsession with colour takes him close to Rothko).

James Abbott McNeill Whistler (American 1834–1903) [Impressionism, Tonalism] Symphony in White, No. 2: The Little White Girl, 1864.

James Abbott McNeill Whistler, ‘Symphony in White, No. The Little White Girl’ 1864 (Tate)

Harmony in Pink and Grey  James Abbott McNeill Whistler (1834–1903)    1881  oil on canvas   Frick Collection

Harmony in Pink and Grey (Lady Meux), James Abbott McNeill Whistler 1881 oil on canvas

James Abbott McNeill Whistler “Nocturne in Blue and Gold: Valparaiso”

James Abbott McNeill Whistler (American, Nocturne in Blue and Gold, Valparaiso Bay 1866

James Abbott McNeill Whistler, Venetian Scene, pastel, 1879.

James Abbott McNeill Whistler, Venetian Scene, pastel, Many pastel artist…

The Athenaeum - Behind the Arsenal (James Abbott McNeill Whistler - 1880)

The Athenaeum James Abbott McNeill Whistler 1880 sentimentality and moral allusion in painting

James Abbott McNeill Whistler (American, 1834-1903)

"The Cellist" 1908 Joseph Rodefer DeCamp -

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