Swedish art director Anders Brasch-Willumsen's digitally-rendered "Rocks and Light" series references materials used in the Japanese art movement Mono-ha.

Digital Renderings of "Rocks and Light," Inspired by Mono-ha - Sight Unseen

Nobuo Sekine  Phase-Mother Earth, 1968/2012  Earth, cement

Nobuo Sekine Phase-Mother Earth, Earth, cement, molds Cylinder: 86 inches x 106 (diameter) x 270 centimeters) Installed dimensions variable

Swedish art director Anders Brasch-Willumsen's digitally-rendered Rocks and Light series references materials used in the Japanese art movement Mono-ha.

Swedish art director Anders Brasch-Willumsen's digitally-rendered "Rocks and Light" series references materials used in the Japanese art movement Mono-ha.

On Art and Space: Mono-ha

not unlike those who rely on gravity in the production of floors, the artists of "mono-ha" used gravity as an art material. in this 1968 piece by korean born Lee Ufan, gravity is as present as the concrete block and the plane of glass.

On Art and Space: Mono-ha

From the top: Nobuo Sekine Phase-Mother Earth 1968 Lee Ufan Relatum 1968 Kishio Suga Limitless Condition

Nobuo Sekine has been recreating his Phase — Mother Earth (1968) at Den’en Chofu Seseragi Park in West Tokyo.    Created in October 1968 in the Suma Rikyu Park in Kobe, and consisting of a 2.2 x 2.7m cylindrical hole in the ground and an adjacent cylinder of earth of the same dimensions, this piece is one of the signature works of the Mono-ha movement of the late 1960s and early ‘70s.

Nobuo Sekine has been recreating his Phase — Mother Earth at Den’en Chofu…

Finalmente el cuarto mono ha llegado. La combinación de todos, no mira, no escucha, no habla...

Finalmente el cuarto mono ha llegado. La combinación de todos, no mira, no escucha, no habla...

La Jetée

neo-catharsis: “ Susumu Koshimizu - Crack the stone, Mono-ha, 1970 ”

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