Simon Kaan

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…