Simon Kaan

Collection by OTHC Art

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NZ Printmaker

OTHC Art
Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Scroll #21 </i>, intaglio woodcut on 710 x 125 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>2014 Untitled Large Scroll #25</i>, intaglio woodcut on 810 x 350 mm paper, 1 of 1, 2014. Sold.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>Untitled Series 11- Circle I</i>, intaglio woodcut (framed) on 280 x 250 mm paper, from an edition of 20, 2011. NZ$650 incl GST.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…

Simon Kaan, <i>Untitled (Oval III)</i>, Intaglio Woodcut  on 890 x 220 mm paper, from an edition of 12, 2010. NZ$1365 incl GST framed; NZ$1365  incl GST unframed.

Simon Kaan | Solander Works on Paper Art Gallery

Land, sea and sky still dominate Simon Kaan’s new works, but the familiar waka shape that we are used to seeing in his works are replaced by moth, waterfalls and rainbows. The spaces are fragmented by floating, indeterminate horizon lines, which create a sense of rhythm and movement. Simon Kaan is of Chinese, Ngai Tahu and Pakeha ancestry. He graduated with a Diploma of Fine Art majoring in Printmaking at Otago Polytechnic in 1993 and has exhibited widely in New Zealand in both public and…