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‘Portrait of William Style of Langley’ 1636 He turns back on worldly possessions, (coat-of-arms in window reinforced w/ Latin motto 'vix ea nostra voco' ('I scarcely call these things my own'). Turns away from his books & writing, outer garments & worldly music (violin) Behind the classical archway represents entrance to the garden of the Church (metaphor common in Catholic lit). The garden is protected w green hedge from mountainous wilderness beyond & antique ruin (symbolizing pagan world).
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Portrait of William Style of Langley 1636 Style was a legal author, attended Queen's and Brasenose colleges, Oxford. Barrister at Inner Temple in He compiled Regestum Practicale and other works.

How on earth did I miss William Style of Langley in the Tate! For detail of fascinating heart-emblem (bottom righthand corner) -- SEE NEXT

of William Style of Langley Date 1636 *Steeple hat, flat collar, folded back cuffs

Men’s Dress during the Seventeenth Century: wore very full shirts paired with the falling band, which took the place of the ruff.

‘Portrait of William Style of Langley’ 1636 He turns back on worldly possessions, (coat-of-arms in window reinforced w/ Latin motto 'vix ea nostra voco' ('I scarcely call these things my own'). Turns away from his books & writing, outer garments & worldly music (violin) Behind the classical archway represents entrance to the garden of the Church (metaphor common in Catholic lit). The garden is protected w green hedge from mountainous wilderness beyond & antique ruin (symbolizing pagan world).

‘Portrait of William Style of Langley’ 1636  He turns back on worldly possessions, (coat-of-arms in window reinforced w/ Latin motto 'vix ea nostra voco' ('I scarcely call these things my own'). Turns away from his books & writing, outer garments & worldly music (violin) Behind the classical archway represents entrance to the garden of the Church (metaphor common in Catholic lit). The garden is protected w green hedge from mountainous wilderness beyond & antique ruin (symbolizing pagan…

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1636 British School century - Portrait of William Style of Langley

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Portrait of a young Cavalier, possibly Edward Bowar, from Treasurer's House, York, England - English arist, 17th century
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Portrait of a young Cavalier, possibly Edward Bowar, from Treasurer's House…

Young boy wth a falling band of lace. He is wearing jackboots. He is also in a doublet with breeches. Lace accents throughout, his undershirt shows through his sleeves.

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Portrait of a young Cavalier, possibly Edward Bowar, from Treasurer's House, York, England - English arist, 17th century

Portrait of a young Cavalier, possibly Edward Bowar, from Treasurer's House, York, England - English arist, 17th century
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17th century fashion - Google Search
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17th century fashion - Google Search

17th century fashion - Google Search
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Detail of: Banquet at the Crossbowmen's Guild in Celebration of the Treaty of Munster, by Bartholomeus van der Helst, 1648. Rijksmuseum Amsterdam
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Detail of: Banquet at the Crossbowmen's Guild in Celebration of the Treaty of Munster, by Bartholomeus van der Helst, 1648. Rijksmuseum Amsterdam

Detail of: Banquet at the Crossbowmen's Guild in Celebration of the Treaty of Munster, by Bartholomeus van der Helst, 1648. Rijksmuseum Amsterdam
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''1646 Wybrand de Geest - Portrait of a boy''. Privileged youths were expected to have command of their accessories and to manage them elegantly; how to carry gloves, sweep off the plumed hat, control the cloak. The turning out of the feet -like a ballet dancer- was also a sign of good-breeding.
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''1646 Wybrand de Geest - Portrait of a boy''. Privileged youths were expected to have command of their accessories and to manage them elegantly; how to carry gloves, sweep off the plumed hat, control the cloak. The turning out of the feet -like a ballet dancer- was also a sign of good-breeding.

''1646 Wybrand de Geest - Portrait of a boy''. Privileged youths were expected to have command of their accessories and to manage them elegantly; how to carry gloves, sweep off the plumed hat, control the cloak. The turning out of the feet -like a ballet dancer- was also a sign of good-breeding.
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Sir Walter Ralegh, 1602 (Unknown Artist) National Portrait Gallery, London, NPG 3914
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Walter Ralegh by Unknown artist oil on canvas, 1602

This, from an unknown artist shows the differences in fashions. Sir Raleigh is still wearing trunk hose and a ruff where his son has moved on to longer breeches and a collar

We found some new pins for your Renaissance board - Outlook Web App, light version

Aimee did little to disguise her disappointment.

Sir Walter Ralegh, 1602 (Unknown Artist) National Portrait Gallery, London, NPG 3914

Sir Walter Ralegh, 1602 (Unknown Artist) National Portrait Gallery, London,  NPG 3914
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Bartolomeus van der Helst, Detail of: Militia Company of District VIII under the command of Captain Roelof Bicker oil on canvas 1643. This civic guard painting is a substantial Rijksmuseum Amsterdam.
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Bartolomeus van der Helst, Detail of: Militia Company of District VIII under the command of Captain Roelof Bicker oil on canvas 1643. This civic guard painting is a substantial Rijksmuseum Amsterdam.

Bartolomeus van der Helst, Detail of: Militia Company of District VIII under the command of Captain Roelof Bicker oil on canvas 1643. This civic guard painting is a substantial Rijksmuseum Amsterdam.

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Кружева   Reticella и punto di Aria  на портретах Robert Peake. Я хочу вас познакомить с моими любимыми портретами в живописи английского художника Роберта Пика. Я…

И кружева, и бархат, и парча....

The Netherlandish painter Daniel Mytens was born in Delft but entered the Guild of St Luke at The Hague in 1610. He may have been a pupil of either Michiel van Miereveld or Jan Anthonisz van Ravesteyn, or both. By 1618 he was in London, painting the

Daniel Mytens, Portrait of H. King Charles I, Courtesy Royal Collection Trust C) Her Majesty Queen Elizabeth II 2013

history-of-fashion: “ab. 1605-1610 British School - Portrait of lady, probably Mrs Clement Edmondes ”

history-of-fashion: “ab. British School - Portrait of lady, probably Mrs Clement Edmondes ”

"Portrait of Sir Thomas Pope, later 3rd Earl of Downe", ca. 1635, by an unknown British artist.

Portrait of Sir Thomas Pope, Later Earl of Downe circa 1635 British School century Purchased with assistance from the Friends of the Tate Gallery, the Art Fund and the Pilgrim Tr…

.História da Moda.: A Moda na Era Barroca

A Moda na Era Barroca

1661 Bartholomeus van der Helst - Portrait of a pair (JPEG Image, 800 × 975 pixels) - Scaled

1616.George Villiers (1592-1628), 1st Duke of Buckingham.attributed to William Larkin,and studio.Молодой Бэкингем в мантии пэра Англии с лентой ордена Подвязки.

George Villiers, Duke of Buckingham William Larkin National Portrait Gallery - London

❦ Bartholomeus van der Helst (1613–1670), The company of Captain Roelof Bicker and Lieutenant Jan Michielsz Blaeuw (detail), 1639

❦ Bartholomeus van der Helst The company of Captain Roelof Bicker and Lieutenant Jan Michielsz Blaeuw (detail), 1639

Portrait of Henry Casimir I (1612-40), Count of Nassau-Dietz

Portret van Hendrik Casimir I graaf van Nassau-Dietz, stadhouder van…

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James Stuart Duke of Richmond and Lennox Anthony van Dyck (Flemish, Antwerp London) Date: ca. Medium: Oil on canvas Dimensions: 85 x 50 in. x cm) Classification: Paintings Credit Line: Marquand Collection, Gift of Henry G.

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