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Guan (Official) inscription Kiln, Song Dynasty, China - The Palace Museum

Guan (Official) inscription Kiln, Song Dynasty, China - The Palace Museum

Black Raku tea bowl by Chojiro (1500′s)

Sen no Rikyū (1522–1591) is considered the most influential figure on the Japanese way of tea, particularly the tradition of wabi-cha (tea of simplicity and sincerity). He considered the ritual of preparing and serving tea an opportunity to experience the essence of life, a moment to transcend everyday reality and be absolutely present with yourself and others.

Black Raku tea bowl by Chojiro Sen no Rikyū is considered…

Greenware bowl in the style of Guan Ware. 13th century (1201 - 1300), Southern Song Dynasty (AD 960 - 1127),China

Greenware bowl in the style of Guan ware, century, Southern Song Dynasty -

Teacup, China, Song Dynasty glazed ceramic; diameter 12.2 cm

Teacup, China, Song Dynasty glazed ceramic; diameter 12.2 cm

宋代 - 哥窯 - 灰青葵瓣口碗               高6.6公分, 口徑18.3×18.1公分, 底徑5.2公分。960 A.D.-1279 A.D.             六瓣葵花口,侈口,深弧形壁,外底微凸,矮圈足。全器施釉,唯外底足緣一週未上釉,塗有一層赭黑色薄汁,器內壁釉色偏青,器外壁開片細紋大部呈灰黃色,口沿釉薄處現褐色邊,釉面有棕眼,是傳世哥窯作品。據《中國陶瓷史》所載,為傳世哥窯作品,一般認為是南宋以後龍泉窯系窯場作坊,受官窯工藝影響,生產釉面帶有細碎開片紋的青瓷作品;也有一說,是江西地區窯場所生產。台北故宮博物院藏。

宋代 - 哥窯 - 灰青葵瓣口碗 高6.6公分, 口徑18.3×18.1公分, 底徑5.2公分。960 A.D.-1279 A.D. 六瓣葵花口,侈口,深弧形壁,外底微凸,矮圈足。全器施釉,唯外底足緣一週未上釉,塗有一層赭黑色薄汁,器內壁釉色偏青,器外壁開片細紋大部呈灰黃色,口沿釉薄處現褐色邊,釉面有棕眼,是傳世哥窯作品。據《中國陶瓷史》所載,為傳世哥窯作品,一般認為是南宋以後龍泉窯系窯場作坊,受官窯工藝影響,生產釉面帶有細碎開片紋的青瓷作品;也有一說,是江西地區窯場所生產。台北故宮博物院藏。

宋 吉州窑黑釉剔花梅瓶 - Song Dynasty, Collection of The Palace Museum, China

宋 吉州窑黑釉剔花梅瓶 - Song Dynasty, Collection of The Palace Museum, China

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